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Todd Roehrman Review Excerpts
Private Lives (Sacramento Theatre Company)
The play is the ultimate in 1930s escapism, with the flamboyant
characters never speaking of work, jobs or any sources of income
for their extravagant lifestyles. They just live, love and argue
while wearing beautiful clothes designed by Todd Roehrman.
Sacramento Bee
The Long Christmas Ride Home (The Magic Theatre)
Todd Roehrman's subtly elegant costumes help define the shifts of
character and time frame.
San Francisco Chronicle
Family Butchers (The Magic
Theatre)
Todd Roehrman's character-defining costumes…provide a solid
framework
San Francisco Chronicle
Much Ado About Nothing (San
Francisco Shakespeare Festival)
Todd Roehrman designed costumes that could launch a "retro"
fashion trend
San Francisco Chronicle
The Sex Habits of American Women (The Magic Theatre)
"McCain is at home in Todd Roehrman's flouncy '50s gowns"
San Francisco Chronicle
"Everybody looks terrific
in Todd Roehrman's crisp'50s fashions"
Oakland Tribune
Misalliance (Marin Theatre Co.)
" Glazer gives the play a lovely period staging with Todd
Roehrman's beguilingly genteel
Edwardian summer wear."
San Francisco Chronicle
Brontë (The Magic Theatre)
" Exchanging nightgowns for crinoline dresses (soberly elegant
costumes by Todd Roehrman)
the clan grows into adulthood with childhood traits intact."
San Francisco Chronicle
Kissing the Witch (The Magic Theatre)
" Donoghue and director Nicholson make use of more fundamental
theatrical magic, relying on […] the brilliantly simple costumes
of Todd Roehrman."
San Francisco Examiner
"All in all, the design […] is a playwright's dream"
San Francisco Weekly
Private Lives (South Coast Rep)
" …Roehrman meet's Coward's challenge of providing the couple
with virtually show stopping costumes."
Los Angeles Times
"Clad in outfits delightfully designed by Todd Roehrman …
Fergeson sweeps gallantly across the stage"
Ontario Daily Bulletin
Much Ado About Nothing (Shakespeare Santa Cruz)
"Costume design by Todd Roehrman is lovely, bright, simple and
eye-catching"
Santa Cruz Sentinel
Othello (Shakespeare Festival/LA)
"Todd Roehrman's costumes are stunning…all supporting (the
director's) timeless feel"
Los Angeles Times
The Last Night of Ballyhoo (Sacramento Theatre Co.)
"Memorable are Todd Roehrman's period fashions."
Sacramento Bee
The Seagull (The Matrix
Theatre)
"…costumes by Todd Roehrman do not evoke the era - they seem to be the era, left
over in a time warp for our delectation."
Play and Players (London)
Aladdin (San Francisco
Shakespeare Festival)
"Todd Roehrman also deserves credit for his limitlessly
imaginative costumes, from the Grand Vizier's turban to the Widow
Tuankhet's crimes against taste, from sexy harem-girl ensembles
to a two-person suit evoking Siptah the dancing camel."
San Francisco Weekly
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